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QUEER AS EUROPEAN FOLK 

在“Queer as German Folk”展览的框架下，我们邀请了在上海的欧洲合作伙伴放映并讨论一系列关于LGBTQI*的电影，它们分别来自瑞典、意大利、奥地利、法国、荷兰、丹麦、芬兰和挪威。 

这个周六来文教处发现欧洲多样的色彩吧！ 

QUEER AS EUROPEAN FOLK, 电影系列一（三部分） 

日期：2020年12月5日，14：00—21：00 

地点：上海市黄浦区福州路318号华设大厦101室，德国驻上海总领事馆文化教育处 

入场：免费，需在活动行平台报名 

第一部分，14：00—16：00 

《穿燕尾服的女孩》 

瑞典，1926 

黑白，121分钟 

导演：卡琳·斯万斯特洛姆 

语言：默片，有配乐 

影片根据亚尔马·伯格曼的同名书籍改编，讲述了学生卡佳·考克因穿着哥哥的燕尾服参加舞会而引发的丑闻。卡佳·考克即将毕业，她却没有一身适合参加舞会的服装。卡佳·考克的爸爸总是满足哥哥加利的所有需求，却不愿为她多花一毛钱。所以在舞会当天，卡佳穿着哥哥新买的晚礼服参加舞会，跳舞、抽雪茄、喝白兰地，让当地人大跌眼镜。《穿燕尾服的女孩》是一部轻松愉快的变装喜剧，随后被认为是瑞典无声电影中最为出色的喜剧作品之一。  

第二部分，16：30-18：30 

《悲情岁月》 

意大利，2019 

彩色，112分钟 

导演：安德烈·阿德里亚蒂科 

语言：意大利语原片，英语字幕 

《悲情岁月》讲述了上世纪七十年代初期意大利同性恋运动创始人之一——马里奥·米利的一生。他1952年生于米兰，1983年自杀身亡。他不仅是一位作家、表演艺术家，更是一位思想家与创新者。  

作为性别活动者，米利一直与那些致力于改变社会的作家、艺术家们联系密切，他的公共经历始终与个人生活密不可分，直到他遇见年轻的翁贝托·帕斯蒂（后成为作家），两人之间发生了一段充满焦虑与痛苦的故事。  

马里奥·米利与朋友们的一生将以有声彩色电影的方式展现在观众面前。迷幻的节奏，充满活力与灵感的年代，交织着希望与错觉的人生。看似一切都能发生，而事实又并非如此。 

第三部分，19：00-21：00 

 《脚下的土地》 

奥地利，2019 

彩色，108分钟 

导演：玛丽·克鲁泽 

语言： 德语原声，中文字幕 

马上步入三十岁了，身为公司管理顾问，罗拉的生活光鲜亮丽。然而却没有人知道她的秘密：姐姐康妮罹患精神病，有自毁倾向及被害妄想，她的病情牵动着整个家庭的心。罗拉总是收到姐姐的求助电话，她的秘密也因此逐渐浮出水面，井然有序的生活开始失控。 

EN

QUEER AS EUROPEAN FOLK 

In the frame of our current exhibition “Queer as German Folk”, we invite our European partners in Shanghai to screen and discuss a series of LGBTQI*-films from Sweden, Italy, Austria, France, the Netherlands, Denmark, Finland, and Norway. 

Join us this Saturday, and discover the colors of diversity in Europe! 

QUEER AS EUROPEAN FOLK, Film Program Part 1 (3 sessions)

Date: 5 December, 2020, 14:00-21:00 

Location: Department of Culture and Education, German Consulate General Shanghai, 101 Cross Tower, 318 Fu Zhou Lu, 200001 Shanghai  

Admission: Free of charge, online registration required via Huodongxing 

Session 1, 14:00-16:00 

Flickan i frack: En sommarlätt filmhistoria (Girl in Tails) 

Sweden, 1926 

Black & White, Color, 121 min 

Director: Karin Swanström  

Language: Silent with music score 

Based on Hjalmar Bergman’s book by the same title, this is the story of student Katja Kock who causes a scandal by going to a prom in her brother’s tailcoat. Katja Kock is about to graduate, but she has nothing to wear for the prom. Her father, the eccentric inventor Carl Axel Kock does not sacrifice much of his income on Katja while her brother Curry gets everything and anything at all times. So on the day of the prom, Katja simply dresses up in her brother’s brand new evening attire and attends the dance, smoking cigars, drinking brandy, and shocking the locals. Girl in Tails is a delightful cross-dressing comedy that has subsequently come to be regarded as one of the comic gems of Swedish silent film. 

Session 2, 16:30-18:30 

Gli anni amari (Bitter Years) 

Italy, 2019 

Color, 112 min 

Director: Andrea Adriatico  

Language: Italian with English subtitles  

Gli anni amari (Bitter Years) depict the life and deeds of Mario Mieli, one of the founders of the homosexual movement in Italy in the early Seventies. Born in Milan in 1952, he took his life in 1983. A writer and a performer, he was most importantly a thinker and an innovator. As a gender activist he was connected with a broad network of writers and artists fully committed to change society, and his public experience was always intertwined with his personal life, until the tense and painful story with young Umberto Pasti, later himself a writer. The life of Mario and friends is represented with the colors and the sounds, the psychedelic rhythm of that time, a decade full of energy and inspiration, hopes and delusions, when everything seemed to be possible, and it was not. 

Session 3, 19:00-21:00 

Der Boden unter den Füßen 

Austria, 2019 

Color, 108 min 

Director: Marie Kreutzer  

Language: German with Chinese subtitles 

At the end of her twenties, Lola believes she has her private life as well as her job as a management consultant firmly under control. Nobody knows about her sister Conny and the history of mental illness that runs through the family. She also keeps the love affair with her team leader Elise a secret. But when circumstances force Lola to give Conny a larger place in her life and her secrets come to light, she herself threatens to lose the ground under her feet. 

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